 
URCA, the “in” thing of the moment (condensed).
Published in
TAM NAS NUVENS magazine, march 2009 - NewContent.
By
Nathalia Lavigne
For about 3,000 tourists
who use the cable car every day during the high season, it is likely
that the word “urca” does not signify anything more than the name of the
mountain at the first part of the route up to the Sugar Loaf. But, if
someone on the way back held back from immediately boarding the bus for
a stroll around the district, he/she will discover one of the most
charming tourist points.
Surrounded on one side by
Guanabara Bay and the sea on the other, the district, in the format of a
peninsula and in a corner of
Rio de Janeiro, has only 13 streets and four
avenues. With eight military units, it is not by chance that it’s been
nicknamed “the island of tranquility”. With the exception of one or two
petty thieves, crime is rare. All you have to do is walk along a stretch
of the Urca Embankment, a 1.5-kilometer-long (1 mile-long) wall that
encompasses practically the entire district, to feel the spirit of the
place.
There you come across
those who carry their barbecue grills and spend the day at the beach,
the fishermen not worried about catching fish and couples looking for a
romantic sunset with a view of the small boats in
Guanabara Bay. It’s place that had stopped in time in the
very best sense of the expression. Or, as the resident say, it is a
district for living in, not a passageway. Good reasons are not lacking.
The
houses, nearly all without fences and with their heritage-protected
façades, preserve the same style of when the district was founded 87
years ago after the completion of the landfill works, in 1922. The name
Urca actually comes from the initials of the company that handled the
project. Long before this, it was on this small stretch of land that
Estácio de Sá disembarked with his companions in 1565 to found the city
of São Sebastião
do Rio de Janeiro.
One of the famous buildings is the
Urca Casino, now the IED (Istituto Europeo di Design). Built in 1922 to
be a luxury spa, the building in eclectic style with neoclassical traces
has been abandoned for over 20 years. At the time of the casino, which
lasted from 1934 to 1946, the building on João Luís Alves Avenue received a cast of
respected artists. Grande Otelo, Emilinha Borba, Dick Farney are some of
the names - apart from Carmen Miranda, who wore for the first time her
famous Baiana fantasy costumes in the adjacent Grand Theater and even
lived in Urca.
When gambling was
prohibited and the casino closed, the building became the headquarters
of TV Tupi and the district retuned, once again, to the spotlight. “Once
upon a time some compared Urca to a Hollywood
studio. Residents came to the windows to see their idols parade through
the avenues of the district in Cadillacs and convertible Pontiacs, but
were scandalized by stars that showed their legs at Praia Vermelha,”
describes the writer José Louzeiro in Urca - O Bairro
Sonhado.
The atmosphere of a
Hollywood studio, however, returned last month, with the
presence of actor Tom Cruise and his family when they visited São João
Fortress.
Armando
Gomes, 93, owner and founder of Bar Urca, has never been part of the
estimated 6,750 residents of the district but is an authority when the
subject is the history of Urca - including the extinct casino. Gomes is
considered the oldest trader in activity in
Rio de Janeiro.
In spite of his advanced age,
never a day goes by that he doesn’t visit his business. On a sunny
Saturday in February, the Vascan soccer team fan remembers when he
worked at the Casino as a guimbeiro, picking up the cigarette
butts that multiplied next to those who were without luck. “When they
started to lose a lot, many would give me some chips so I’d drop out of
sight”, tells Gomes.
Judging by the success of his
business, Gomes was never a spoilsport. On weekends it becomes more
difficult to get a table at the mezzanine, where the seafood restaurant
is located. But the most sought after place on the Urca Embankment is
the one in front of the bar, the new summer hotspot of Rio de Janeiro. Not long ago, waiters would
take beer and shrimp pastries to clients, against the wish of City Hall
and Amour (the neighborhood association).
By the way, for those who have
never been on the top of a wall, the hint from veterans is to pick a
point close to a concrete post or a signpost when you feel the lack of
support for your back.
A few meters from there,
the São João Fortress no longer enjoys the same popularity. Among the
small group that makes a guided tour of São João Fortress, the third
oldest of the country, a couple of engineers named Leila Borges and
Evaldo Zilio say that for the last nine years they have been trying to
visit the historic site, built in 1578 at the point of Guanabara Bay.
“It was always bureaucratic, one couldn’t visit it on weekends,” they
complained.
If
the arrival of IED will make Urca a better or worse place, one has to
wait for the next round. But those who have never visited the district
must hurry. It will never be the same
again.
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